Patricia Skelton, decorative artist and founder of Open Window Restore, at her desk

Open Window Restore: Beauty in What Was, Hope in What Comes Next

I came across an article from The Metropolitan Museum of Art about the open window as a recurring subject in 19th-century painting, and it stopped me in my tracks.

An open window holds two worlds at once: the intimate and familiar space we are standing in, and the possibility of what lies beyond.

That idea feels so close to the heart of Open Window Restore.

Restoration, for me, has never meant making something look new again. I love the worn places, softened edges, faded color and layers that tell us an object has already lived a life. I want to preserve that history while giving the piece a reason to be loved again.

Lately I have been carrying that same thought into my artist papers and smaller decorative pieces. A painted surface can hold more than color and pattern. It can hold a little message, too — sometimes visible, sometimes tucked quietly inside a box or beneath a lid.

Words of hope feel especially meaningful there. They become a small discovery for the person who owns the piece: something beautiful from the past carrying a thought forward.

Perhaps that is why the image of an open window has always felt right for this work. We can honor what came before without being held there. We can restore, reimagine and still look ahead.

Open Window Restore
Beauty in what was. Hope in what comes next.

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